"yea I kno sme tricks.."


ya mammy

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Title: Strange Fruit Artist: Nina Simone 176 plays

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if white people be like “white people be like” but i’m white and i be like white people be like “white people be like” then who’s driving the car

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USA. Illinois. Chicago. 1968. A Black Panther Party member.


i wish this was real

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One of the most disturbing scenes in Disney’s “Aladdin” is when Jasmine must pretend to seduce Jaffar in order to distract him. The clothing that the animators chose to put her in, complete with the shackles, are all a white, colonial wet dream. And she’s the only Disney princess who’s had to use her body in this way to distract someone. Then there’s this scene in “The Hunchback of Notre Dame” where Esmeralda is shimmying her hips and breasts and basically ends with a pole-dance sequence: a far cry from the delicate waltzes and pirouettes that Belle and Aurora dance. The simultaneous fascination and revulsion that Whiteness has for WOC bodies are unmistakably evident in Disney’s posturing of Jasmine and Esmeralda.

The Jasmine Diaries Part II: ‘Exotic’ is not a Compliment

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A perfect example of “desert flower” fetishization/exotification. Women of color are always shown as “others”, they’re seen as women who have to use their sexuality to save themselves (or worse, as people who are just inherently sexual by their mere existence).

We’re putting these sexualized images of women of color into cartoons meant for children, essentially brainwashing them to grow into adults who fetishize non-white women. Gross.

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pet peeves:



-bad driving

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Batman: The Dark Knight Returns (1986) #02

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hey whats the deal with chemtrails?

*seinfeld baseline* 


this is the teacher from the incredibles

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Church of St. Michael, Bamberg

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Godzilla by Jeremy Richie


Things are heating up in our kitchen.

See more: Hot Sauce on Food52.

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